Berlin’s Festival of Lights is a magnificent showpiece for the city, with some of the most iconic buildings used as temporary canvases for beautiful and inventive projections of light. Artists come from a variety of countries, and for ten days their work brings whole areas of the city to life at night. This year the festival celebrates the 30th anniversary of the fall of the Berlin Wall, themed as Lights of Freedom. This is Berlin remembering it’s unification, with more than a passing nod towards the European Union.
The organisers claim it’s the largest open-air gallery in the world and, with a massive two million plus visitors, it is certainly one of the most popular. If my experience at the Berliner Dom and the James Simon Gallery, both on Museum Island, is anything to go by, the 2 million mark will be easily surpassed this year. These are two of the best lights in the whole festival. The huge dome of the city cathedral becomes a canvas for a series of images, including one (tongue in cheek?) that says, “Let There Be Light”.
The park surrounding the cathedral was packed, and thanks to the weirdly hot weather people were camped out on the grass. A musician played street busker standards, and I couldn’t help a smirk when he launched into John Lennon’s anti-religion hymn, Imagine, with absolutely no sense of irony. Above us only light! I shuffled off through the crowds towards the James Simon Gallery, where a huge throng was gathered along the canal to watch a brilliantly animated light show.
Named after the 19th centuryJewish textile magnet and massive patron of the arts in Berlin, the James Simon Gallery is brand new and will serve as Museum Island’s visitor centre. Here, Sheikh Abdullah Al Salem of Kuwait has funded an incredible 10-minute ‘light mapping’ animation that combines Arabic and Western cultural references, and shows some of the gems that reside within the museums that cast a shadow over the scene. Marilyn Monroe makes a surprise appearance.
I arrived as the final couple of minutes of the show played out, and then grabbed a good viewing spot to watch it all from the beginning. It really was fantastic, and is perhaps only rivalled for technical ability by the projections at Bebelplatz. That delight was on my way home, but first I visited the light shows on the Bode Museum, at the entrance of which was another busker strangely illuminated in the light. I walked along the River Spree, past the Berliner Dom and into Alexanderplatz.
Last year, this was one of the best light shows in the festival, this year it was more than a little underwhelming. I didn’t linger and headed towards the Nikolaiviertel quarter, where things were also a little disappointing. The evening was saved by the utter magic of the light displays in Bebelplatz. There are interesting static projections on two sides of the square, but the animated projection onto the Hotel de Rome was wonderful. It was a collection of different artists’ creations. You can vote for your favourite.
By the time I arrived in Bebelplatz the crowds had started to thin out, and it was a far more relaxing experience watching the displays. I’m glad I made this my last stop, the fabulous animations and single projections on the Hotel de Rome were worth the wait. As I wandered home under an almost full moon, I felt at one with the world. A lucky bonus projection awaited me though as I walked down a street close to my apartment. The Ministry of Justice was lit up with a 30th anniversary Berlin Wall projection.
3 thoughts on “The brilliance of Berlin’s Festival of Lights”
Absolutely fantastic. Viel Dank Paul. (Feels like the Atelier des Lumières ten times over)
They’re really fabulous on winter nights!